A photographer who prefers waiting.

I make quiet pictures of people and places, slowly, for clients who would rather be looked at honestly than flatteringly.

I grew up in a house with one camera and a drawer of contact sheets. I studied photography in the evenings while working at a regional newspaper, and spent a decade making pictures against a deadline before I understood that the ones I kept were the ones nobody had asked for.

Since 2019 I have worked on my own from a studio above a bookbinder on Salt Row. I take on about twenty-two weddings a year, a handful of editorial commissions and a few brand days, and I keep the rest of the calendar free for personal work.

I shoot on film and digital, almost always in available light, and I stay as far from the people I photograph as the lens allows. Nobody has ever told me they wished I had been closer.

How I work

1. 01 Look before lifting the cameraThe first twenty minutes of any shoot are for walking around, talking and noticing where the light is. I take almost no pictures during that time.
2. 02 Stay a field awayThe longer the lens, the more people forget it. I would rather lose a little sharpness than gain a pose.
3. 03 Give people something to doNobody can stand still and look natural. Walk, carry, read, open a window. The picture is what happens in between.
4. 04 Edit like a ruthless friendYou will get fewer pictures than you expect and look at each of them longer. Everything else is cut.